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Nhat Huong — refreshing a 25-year-old brand without replacing it

Nhat Huong is a Vietnamese baking brand, established 1998, that grew into an ecosystem: production, baker education, distribution. By its own account it broke foreign brands' dominance of the domestic market. I was on the brand team for the refresh.

CLIENTNhat Huong · est. 1998
ROLEDesigner · brand team
TIMELINE6 months · 2023
TOOLSPhotoshop · Illustrator
What the team deliveredLogo refresh, an eight-family color system, patterns keyed to product groups, and packaging across the range: cartons, tubs, sauces, labels.
My partAll of it. Every board on this page is my design work, made inside the client's brand team.
Status & outcome[ADD: shipped? in production since when, across how many SKUs? client sign-off?]

HOW TO READ THIS PAGE — artifacts carry disclosure labels: MEASURED real, checkable data · RETROSPECTIVE made after the project to document reasoning · PROPOSED a goal or plan, never an achieved result.

The refreshed Nhat Huong packaging system: cartons, tubs, and sauce bottles arranged diagonally on the brand's sweet-red ground
THE SYSTEM AT A GLANCECHECKABLE NUMBERS ONLY
1998
THE LEGACY BEING REFRESHED
8
COLOR FAMILIES, WITH TINT RAMPS
5
PRODUCT-GROUP SHAPES → PATTERNS
CONTEXT

Twenty-five years of product excellence, very little brand building. The refresh had one hard rule: the chef's-hat mark and the red were staying.

BRAND
STRATEGY

The team positioned the brand as an Inspirer: the story is the bakers it trains and supplies. The manifesto leads with national pride (Tự hào Thương hiệu Việt Nam, proudly a Vietnamese brand): real history, not a campaign line.

RETROSPECTIVE The archetypes available to a 25-year-old category leader:

ArchetypeThe story it tellsWhy it doesn't fit
Heritage Keeper: "since 1998, unchanged"Tradition, nostalgiaPoints backward; useless for the education arm and international ambitions
Modern Challenger: full reinventionNew brand, new marketThrows away the hat and the red, the two assets the client refused to spend
Inspirer (chosen)Pride pointed forwardPuts the legacy to work across production, education, and community

[ADD: the alternatives the team actually debated, if records exist — that converts this reconstruction into documented history]

Brand manifesto board on sweet red: 'Tu hao Thuong hieu Viet Nam' with a Proudly Made in Vietnam star seal and five 'proudly' commitments
ManifestoThe one claim a 1998-vintage domestic pioneer can make that imported brands can't.
LOGO
REFRESH

The hat mark stays; proportions and typography were rebuilt: characters connect without collisions, and the wordmark follows the redrawn brim at any size.

[ADD: the before/after pair — this section shows a refresh without showing what was refreshed. Even a small side-by-side of old vs. new mark converts every claim here from assertion to evidence]

Refreshed identity board: the Nhat Huong hat-shaped logo on pink and red, the palette, brand shapes, a chef holding a cake, packaging, and product seals
Identity boardLockups, seals, and the palette the mark anchors.
COLOR &
TYPE

The heritage red stays at the center, joined by a vibrant pink. Eight named families with tint ramps give every product line a shelf identity inside one system:

  • Sweet Red & Candy Pink: the primary pair; heritage red, warmed up
  • Cream Yellow, Frost Mint, Milky Blue: the dairy-soft supporting range
  • Chocolate Brown, Blueberry Navy, Taro Purple: depth for premium lines
  • Type: a sturdy serif for heritage headlines, a clean sans for arm's-length reading — [ADD: name the typefaces, or note if custom]
Color system board: eight named families with hex and CMYK values and tint ramps, from Sweet Red and Candy Pink to Taro Purple
Color systemHex and CMYK per family; built for print first.
GRAPHIC
SYSTEM

Five piped, organic silhouettes, one per product group (cream, cake base, sauce, cheese, frozen), each unfolding into a repeat pattern. They're meant to do the wayfinding: tell the product group across the aisle before reading a word, the goal the proposed shelf test below would check.

Graphic system: five piped organic silhouettes, one per product group, above the derived repeat patterns in blue, pink, mint, yellow, and orange
Shapes → patternsOne silhouette per group, one pattern per shelf.
PACKAGING

Product lines are organized by color, pattern, and graphic element; the structure keeps a diverse range reading as one brand:

The packaging lineup: Joy Top cartons, caramel and chocolate sauce bottles, and Classy Whip, each with its own color and pattern
Line-upEach line keeps its accent and pattern; the hat seal and grid hold them together.
Label sheet in candy pink: labels, seals, bilingual ingredient copy, barcodes, and usage icons for the caramel sauce, egg creams, and whips
Label systemBilingual labels, seals, and barcodes for the full range: most of the actual work.
Three creamer cartons on sweet red: non-dairy, toffee caramel condensed, and yogurt cheese, each with its own soft accent color
Creamer trioSame grid, three accents.
A fully merchandised red supermarket shelf render: rows of Joy Top, Creamy Whip, Silver Whip, sauces, and frozen tubs in the new system
Shelf renderA visualization, not a photo of a live shelf. [ADD: a real in-store photo if the system shipped]
APPLICATIONS

Rollout concepts beyond the shelf:

A person holding the Nhat Huong paper shopping bag: red top, white middle with the hat logo, candy-pink patterned base
ToteThe bag runs three bands: red, mark, pattern.
Fleet livery concept: a delivery truck wrapped in the sweet-red brand with packaging photography and the slogan in Vietnamese
Fleet livery conceptA mockup, not a deployed vehicle.
Brand collateral: business cards in the new system on a checked tablecloth beside a cookie
CollateralCards in the system's red and pink.
Out-of-home concepts: a bus-stop poster of a family baking together, and hands decorating strawberry pastries beside a weekend tea-party poster
Out-of-homePhotography-led; the pattern frames rather than dominates.
Instagram grid concept: product posts, promos, recipes, and campaign tiles alternating photography with the brand's red, mint, and orange system
SocialPhotography alternates with system tiles; the grid reads as one brand.
THE SYSTEM,
COUNTED

RETROSPECTIVE Component inventory, tallied from these boards:

  • Identity: refreshed mark + wordmark, 2 seal variants (Proudly Made in Vietnam · quality/est. seal), 3 lockup treatments (pink, red, black)
  • Color: 8 named families × 4-step tint ramps, hex + CMYK
  • Graphics: 5 product-group silhouettes → 5 repeat patterns
  • Packaging: cartons, tubs, squeeze bottles, frozen trays; bilingual label system with seals, usage icons, and barcodes
  • Applications: bag, fleet livery, cards, signage, OOH posters, social grid system

PROPOSED How I'd measure whether it worked:

MetricDefinitionHowGoal (not a result)Limitation
Shelf recognition% identifying the brand from 2m in under 3 seconds, new vs. old packagingShelf photo test, n≈30 shoppersNew system beats old on speedPhoto ≠ store; familiarity bias toward the old
Range attribution% correctly grouping a new product line as Nhat Huong without the logo visiblePattern-only card sortThe pattern system's whole jobLab task, not purchase behavior
Sell-in adoptionDistributors ordering the refreshed SKUs in season oneClient sales dataBaseline from clientData I didn't have access to
STATUS & WHAT'S TRUE

The hard rule — keep the hat, keep the red — made this a design problem instead of a taste exercise.

One iconic hatrefined, not replaced
Diverse product rangeone structured system
Outcome[ADD: launch year, SKU count, or client result]
NEXT PROJECT — № 05Mug — rewards for bringing your own cup